what happens when a house-music icon takes a small, talented bunch of musicians and mixes it with a savory blend of jazz, funk, dance, and soul music? you get a hearty serving of e.o.l. soulfrito, who make their single debut with upright love on vega records. e.o.l. soulfrito, led by musical director and conductor louie vega, is the condensed version of vega’s elements of life live-band project, which over its tenure has released three albums, won a grammy award in 2006 for best remixed recording, non-classical (curtis mayfield, superfly (louie vega eol mix), and performed for a globally-televised audience during the 2007 superbowl pre-game show. e.o.l. soulfrito’s name is a play on the popular latin-caribbean seasoning sofrito, which serves as a nod to vega’s own puerto rican heritage. earlier this year, the band played their first show at gramps in wynwood, miami during miami music week. upright love embodies the organic energy of e.o.l. soulfrito’s live performances. with a runtime of more than ten and a half minutes, it’s a steady groover that slowly blossoms into a blissful symphony of sprightly chords, jazzy bass, crisp percussion, pattering tambourine courtesy of kat ayala, and cindy mizelle’s vocal ad-lib serenades. easygoing yet refined, the single plays out like a summer afternoon jam session between vega and his friends: axel tosca on fender rhodes & synth upright bass, josh milan on synth jazz guitar & synth percussion. start swaying those hips and let the rhythm carry you into the sunset. i wanted to create a more condensed band, since the elements of life band has ten members, it’s always been a little difficult to do smaller venues. i also wanted to create music inspired by groups and artists like war, cymande, johnny hammond, and herbie hancock’s headhunters, but with the vega e.o.l. twist and style. i then created e.o.l. soulfrito with my studio musicians and rhythm section of elements of life and nuyorican soul. i want to take this band and perform in festivals and venues like the blue note, jazz café, ronnie scots, and bb kings. e.o.l. soulfrito will bring you future grooves with a tinge of the musical landscape from our rich past, and yes, there will be experimentation get ready for it.

after 20+ years with psych legends yura yura teikoku, shintaro sakamotos third solo album is a bonafide masterpiece of warped steel guitar, ambient disco and aor soul. orginally released in japan, 2016. like a language of sakamotos own…made with a ship-in-the-bottle-like focus. pitchfork love if possible is the pay-attention-moment. not enough know. more should know. under the radar perfectionist pop for the extraterrestrial bachelor pad. spin

the must have status of joey negros -remixed with love series has been firmly cemented with both dj and home listening disco lovers since the release of the first two volumes. since the last release jn has been working hard on sourcing more disco multitrack tapes and producing new remixes while the zr team have been equally dedicated to clearing and licensing these new versions. the enduringly popular mtume/lucas produced phyllis hyman soul classic you know how to love me gets a new makeover that reworks the original elements into a more dramatic version with many peaks and troughs, stretching it out to over 10 minutes. even for those love the original this new mix gives a favourite song a fresh new perspective and reason to be played again. motown sounds philly style instrumental bad mouthin was an underground hit on dance floors in new york, london and chicago from the late 70s onwards. it was also famously sampled in bob sinclar s no 1 gym tonic. the original is a pretty dense, everything in all the way through style production, whereas the jn mix opens things up in a bit with more room for the individual parts to be heard. the end result is an extremely energetic bassline driven disco cut that works super well on the dancefloor.

soulstice music is back! and this time we present to you i m in love. a true soulful house gem created by the incredible uk producers the l.o.v.e project featuring the amazing vocals of shean williams (craig david backing vocal). this is the ultimate collection song that can uplift your spirit whenever or wherever you hear it! it will be a hit today, and a classic tomorrow. this song is timeless! just as we like them here at soulstice music. seans voice and lyrics will bring the sweetest feelings out of you, and combined with the finest studio arrangements from the l.o.v.e project this track will simply and truly make you feel like im in love if you know the house music scene, it is impossible not to know the remixers that joined this project: dj spen, earl tutu & jhon khan, mark di meo and rob hardt (cool million). we say no more! other than we are proud to assure you i m in love will become a house music masterpiece!

aleks from amsterdam/ haarlem is hitting the new 4 track ep on deeptrax with dope 909 patterns, bubblin deep inverted 303 basslines, electrical resonant...

limited 2017 re:issue / re-release !! incl amazin little louie vega remixes (masters of work)

if you were in the global house music scene around the turn of the century, you ll be very pleased to hear the news! dubtribe sound system brought a wealth of inspiration and joy to the worlds house music community with its deep, rich, thoughtful, musical and lyrical message at the height of their existence. sunshine and moonbeam jones, the prime instruments behind dubtribe, dazzled audiences with their performances and further with their releases on home label imperial dub. during an apparent long hiatus, sunshine jones has actually been as busy as ever, doing his own thing, as always, and touring city by city around the world to deliver his message, sound and soul in person to his legion of followers. on the heels of the tours and shows, mr. jones is ready to release the incarnation of sounds that he s so eager to share. the good time vibes are all there with a current poignant meaning for all to ingest. as they say, -the more things change, the more they stay the same.- although in the data age, this release is deeper and more meaningful than the old adage ever could imply. pacific beach vinyl is pleased to announce, sunshine jones fall in love, not in line in three equally glorious renditions.

the crooked man returns to bitter end with an emotional copy only limited pre-release of powerful club pieces... keen eyed aficionado s may spot the homage to mel cheron s classic us label west end records here but while their motto may have been where the sun sets & the stars rise bitter end records embarks on a distinctly more 21st century path to dancefloor salvation... echo loves narcissus - part 1 is the opening salvo in a sonic saga across four movements, marrying, as it does irresistibly uplifting chords and vocal ad-libs to a bass line so thick it ll rattle the windows right out of your ride and knock the tiles straight off the walls of your cerebral restroom. once you ve adequately composed yourselves, we invite you to the 11 minute monster which is get the love on the aa... this recalls the brief but genre defying 1990 jams from mundo muzique s revelation project: synth assisted house-nosis, buoyed by the mantric voice imploration to accept higher states of carnality atop an immersive blanket of propulsive rhythms. once again bitter end rips up the rule book, and crafts a whole set of new, better ones in which freedom reigns light years ahead !

respected parisian producer dj deep debuts on kerri chandler s kaoz theory with four rhythmic house tracks. one of the most important protagonists to emerge from the french house and techno scene, dj deep s status is unquestionable. at the helm of deeply rooted, the reputable label owner has signed and released numerous timeless cuts from the likes of ben klock, francois x, roman poncet, kerri chandler, and many more. meanwhile, his return to production in recent years has seen him appear on a variety of credible labels, such as rekids,tresor and l.i.e.s. inaugurating the release,thai fades in gently using subtle field recordings and organic drums before introducing piercing stabs and serene pads, making way for the firm kicks and open hats of tuesday record shopping in paris as soaring atmospherics and various intricate elements come into effect. the mesmerizing guardian is next, with its low-slung groove and compelling rhythm, until cavalier drums concludes the release by rolling out complex percussion from start to finish.

the real thing (1989) turned out to be faith no mores most aptly named record as it presents the bands most revered line-up. mike patton on vocals proved a massive improvement on their previous singer. added at the last moment to complement a set of strong, funky songs, he joined roddy bottum on keys, jim martin on guitars, bassist bill gould and mike bordin on drums. the hit single epic proved to be just that, and is one of the most recognizable faith no more songs in their repertoire

on 7th august the godfather mike dunn presents an ep fuelled by a pumping heart of pure house, entitled ‘dj beat that shhh’ / ‘move it work it’. taken from his forthcoming album due for release in october 2017. both tracks capture mike’s essence, placing his trademark hip house booty style vocals and stripped-back, jacking drums centre stage. ‘dj beat that shit’ is classic, bumping 90s chi goodness updated with modern technology, whilst ‘move it, work it’ is a no-nonsence smoke and strobe throbber, that recalls the best of trax and dj international. for anyone who knows their shit, mike should need no introduction, but for those that don’t, he was highly influential in birthing the modern day dance music phenomenon, especially with tracks like ‘face the nation’, ‘god made me phunky’, ‘let it be house’ and ‘personal problem’. mike created hip house, dj’d with fellow legends ron hardy, larry heard and armando gallop, produced for house heroes armando, fast eddie and k-alexi shelby, and worked with the iconic voices of byron stingley and kym english. after a long absence from djing in europe, mike returned in 2015 to rock crowds at panorama bar, fabric, concrete, sub club and glastonbury, demonstrating why the chicago og is still very much in demand.

more than less, started from seoul, south korea, came back with 4th vinyl release “folka ep”, composed by joton, owner of newrhythmic records, based in north spain, leon. he is also part of more than less records, releasing “fragment ep” with soolee remixes in 2014. it had great success and been supported by many producers like surgeon, pacou, dvs1, invite, lakker, paul mac, samuli kemppi, unam zetineb, jeroen search and many more. “folka ep” has two new tracks, called “frontier” and “sendice”. these two tracks are remixed by japanese techno hero, dj nobu, and korean techno pioneer, soolee, again. the “folka ep” represents the conjunction of asianeuropean techno, which more than less has been pursuing. “frontier” has pure anlalog synth sounds with addicted melody line, based on rough sound textures. it’s obviously for the peak time of the dance floor. “sendice” has unique grooves which joton’s trademark and adding rhythmic loops gives numerous dance feelings. “frontier”, dj nobu remixed, gives hypnotic raw sounds and exotic feelings. it has subtle rhythmic factor and people can’t help moving their body. another remixer is, more than less records owner, soolee. it is 9 minute track, consisting with full of hypnotic sounds from the first to the end.

phil asher & dwala return with two tracks for moreaboutmusic on a london meets detroit tip. more material from phil asher & dwala to come later in the year.

tutti hill’s ‘when the going gets rough’ was listed on the label of her arock single in 1964 but the record actually played ‘whoa whoa, baby take it slow’. at last this gorgeous mid-tempo dancer from ron miller and lee porter makes it to 45. the flip is a piano and voice demo from the same stable but garrett saunders’ magnificent baritone makes the song a must-have. what a pity he did not record more.

the checkerboard squares’ ‘double cookin’’ is a byword for the northern soul all-nighters of the 70s, when hundreds of dancers would hit the beat and clap in unison to the spirited instrumental. our discovery of two vocal versions of the song shook the rare soul world in the noughties. here we feature the tandels’ all-girl take on a song they had previously recorded to a more basic arrangement on the obscure jam-cha label.

two more recent 70s, modern soul-style discoveries were issued last year on the “hotlanta soul 4” kent cd. lorraine johnson verified that the sumptuous vocals on ‘a love like yours’ were indeed hers, though again the author of the song is unknown. deep velvet give a much more harmonious take on ripple’s ‘complain to the clouds’, transforming it from a funk growl into a true soul song.

nice price deal !!!

tarsius is diego mapa on production, and jay gapasin on the live drums, which translates into a rolling, percussive and distinguishable sound that has become the tarsius signature. igado ep features three original tracks by tarsius and a remix by swiss dj and producer, manuel fischer.

omer joins the love on the rocks family with a massive underground smash, the not-so-well-kept secret rework thats been doing the rounds recently among a handful of trusted djs, inducing hands-in-the-air hysteria and clocking up more than a few plays in clubs from robert johnson to panorama bar. finally it lands here as the title track of the ep, perfectly tooled for any poolside dance party. phew! finding just enough room for another huge jam to share the same side, omer moves effortlessly into his trademark late night melancholic trip territory with high hopes, leading in with snapping percussion before giving way to a fierce bassline, swirling layers of melody and synths that resonate with warmth and emotion. rounding out the proceedings, back and forth pulses with electric energy from the word go, quickly pulling you into its distinctly neon after-dark atmospherics, with a forboding hook that twists around itself amid spiralling tension, and on into euphoria. you and me to the party, you and me all night. you and me to the party,you and me all night.

for club lonelys fifth release they tapped alden tyrell and ben sims to split a 12 inch of jacking club tunes. no animals were harmed in the making to this record

prime are delighted to announce the long-awaited official 12 inch re-release of probably the most revered paradise garage anthem of all time - m.f.s.b. feat the three degrees and the now legendary -love is the message-. originally released in 1973, -love is the message- has sustained dance-floors across the world ever since and here we present the full original 11.28 mix from tom moulton which is always a £25-30 record if you ve ever been lucky enough to find a mint one and copies of the rarer u.s. 12- with the long mix are like gold! worry no more as the quality on this 12- is from the best master and 100% sanctioned by sony music. on the flip we are proud to re-release -t.s.o.p. (the sound of philadelphia)- aka the official soul train theme, using tom moulton s full original 5.42 mix. another piece of significant dance-floor history. as double-siders go, it really doesn t get any better than this. there is already high-demand from lots of djs needing to replace their battered copies so accept no substitute. this is the real deal.

we are proud to announce the first release on the shop’s new label house of love vinyl with a strong ep by long time friend of the shop modaji. side a kicks off with the sizzling ‘razzle dazzle disco’ gyrating the house grooves alongside vocal demands that provide a nostalgic setting with a modern thinking twist. ‘times change’ is a thriller killer for sure with it’s metro area like hooks. on the flip there’s more of the same with “i wanna go dancing, i want to go have some fun” as the main hook for ‘lisa at the party,’ whilst transforming us back to strobelights and dry ice filled dancefloors. ‘headwork’ closes the ep off with a straight up jacking swinging groove supplemented with swirling pads and sharp stabs. this is one ep not to be missed.

electronic music- / dj- und producer-pionier moby veröffentlicht sein 13. studio album »more songs about the apocalypse«, das bereits zweite werk, welches unter dem alter ego moby & the void pacific choir erscheint.
für moby-fans ist es nicht überraschend, dass innerhalb der 3 dekaden seines schaffens auch dieses album die spirituelle als auch politische ebene in diesem album aufgegriffen wird. »more fast songs about the apocalypse« ist wohl das persönlichste werk, das moby seither veröffentlicht hat! »that quality of atmospheric sadness i’ve done so much of before isn’t here – there’s nothing quiet or ambient, sonically, this record isn’t subtle: it’s big & loud, with huge kick drums & massive choral choruses.«
pressung auf transluzentem, pinkfarbenem vinyl.

a-side discomix, one of the rarest and best wackie s 12inches, b-side previously unreleased wicked 70s roots! killer vintage bullwackies! the happy love song was originally released on a tribesman 12inch, one of the least known but most killer wackies 12inches of its day. a propulsive rhythm is behind the group licking back the tune cut by the iq s in jamaica a couple years earlier. the b-side was retrieved from tape, an unknown vocalist extolling the virtues of the roots rock reggae coming from wackie s studio in the turbulent new york city of the 1970s. a must have for all wackie s diehards, another level of the pyramid unearthed, and more to come!

unknownmix was a band active in zürich between 1983 and 1992. their music is a mixture of free vocalism, new wave and industrial, they released five lps and three eps. out of their discography lux rec selected four tracks, remastered from the original tapes, and presented as a sampler ep. four tracks that fit perfectly to the label’s tonal view. an ode to those zürich days, when excesses and uncompromising choices were a badge of honour. and music was something to fight for, or fight with, or dive in and die.

nice price deal !!! the incredible return of seamus hajis big love imprint featuring the vocals of hip house don doug lazy remixes from bart b more & mr kurtis mantronik alongside hajis own original mix

its always great to have access to quality masters from some of the world s greatest-ever artists and gladys knight hits that spot, especially via the original 12 inch version of love is always on my mind is another one of those impossibly rare buddah 12 inch from the mid-70s. this is really a 10 minute plus tour-de-force of relentless disco with gladys impassioned vocals doing their usual superlative job. mint 12 inch copies are reputedly worth £200 but the fact is that theres no mint original ones left anymore. until now. additionally we ve cheated slightly by including one of gladys knight & the pips in-demand columbia recordings on the flip - the ashford & simpson penned classic bourgie bourgie on which gladys laid down the definitive vocal to this club classic on the full 4.37 original 12 inch mix. two definitive dancefloor gems on one 12 inch pressing mastered from the original tapes. what more could you want ?

physical therapy assembles a flurry of kicks and thick breaks around deep subs and tender harmonies. lush moments are balanced with saturated rhythms, pushing the momentum in each tune. spoken words skip over dubbed out synths on more sugar, always a euphoric treat on the dance floor! on the b-side, pt flexes for the verdant tropical techno of string thing. play at 45 for the desensitized mix or slow things down to 33 for a balearic sensitized mix. both mixes available direct from the sounds of beaubien ouest bandcamp.

nice price deal !!! this two track white label is a simply great. it is 2 mixes of a very good disco laden pumping club track. the a side is a real solid house groove at a steady tempo, well produced with excellent drops, breaks and edits. the flip side has a more pumping bassline and has a higher tempo and would work well on slightly harder floors

yet more classy techno emanates from paris hotbed of talent as the mysterious who decides to launch get your copy records after 15 years spent slaving away in the studio. making a statement with his first release, the long serving background artist has chosen to dig out an archival track and drop it as a single-sided 12-, the biggest compliment a track can surely receive. there s no doubt that -make my love- is worthy of such treatment, sporting a punchy set of techno rhythms that meet with sexy vocal licks and a deadly lead synth that truly marks the track out a crowd pleaser.

benjamin is back with a follow up to last years smash hit light of my life b/w dreamins for free.this time out backed by the fabulous dreamdances benjamin shows no signs of slowing down with the sophomore release on palmetto street, not one more tear b/w thats what you mean to me. side as quick tempo and strong buildups are not only the perfect platform for a story of persistence and self-realization but an irresistible 4 on the 4 dance floor groove. evoking the murky underground stormers of detroit circa 66 its an ideal prime time spin for your local soul club. thats what you mean to me is a charming ode to love that s yet to arrive. falsetto lead vocal stacked up with syrup sweet group harmony backups and offset by big boss brass all resting on top of a floaty mid tempo groove. it s certain to warm up any vibe with an irresistible sing-a-long chorus.

darauf kann man sich verlassen: wo joey negro draufsteht, ist tanzmusik drin. seit der 13-jährige david russell lee 1977 in einer tv sendung den song boogie nights von heatwave hörte, ist er vom disco-virus infiziert. und den ist er bis heute nicht mehr losgeworden. obwohl produced with love erst sein zweites eigenständiges album nach universe of love von 1993 ist, hat joey negro in den vergangenen dekaden mächtige spuren im dance-bereich hinterlassen. nicht nur produzierte er zahlreiche chartbreaker, dancefloor-kracher und remixe unter diversen pseudonymen (jakatta, raven maize, doug willis, prospect park u.v.a.m.), vor allem war er für grace jones, diana ross, deep dish, lionel richie, mariah carey, tears for fears, ultra nate, masters at work, roy ayers, blaze und roger sanchez aktiv. hinzu kommen kollaborationswerke, bandprojekte und eine reihe herausragender kompilationen wie die house masters-serie, remixed with love, disco not disco oder kings of house. kurz: ob mainstream oder underground, joey negro ist ein mann der superlative, bei dem einfach jeder beat, jedes hook und jeder loop perfekt sitzt.

his time the tramp crew serve you with a delicious double sider by wayne mcghie. -the love you save- was never released when recorded in 1972 and this long-lost track is now available here for the first time on 45! in 1972, wayne signed with record producer greg hambleton and, with former members of the hitchhikers, recorded a couple of tracks including -love is the answer- and -the love you save- at toronto sound studios. -love is the answer- was released later that year as a 45rpm single with the instrumental version on the flip, however -the love you save- was never relaesed. now, more than four decades later, the music of wayne mcghie has been re-discovered and his songs and musicianship are finally receiving the attention so long deserved.

in knapp 20 jahren und mit sechs alben haben linkin park schon fast alles gemacht und erreicht, was als rockkünstler möglich ist. allein fünf ihrer sechs alben landeten gleich in mehreren ländern weltweit auf platz eins der charts. die chancen für ihr neues album stehen 2017 also mehr als gut.
und dennoch feiern die rockstars aus los angeles mit der platte eine premiere. »one more light« klingt poppig wie lange nicht mehr und persönlich wie noch nie.

morning is ready to break. daytime heat lingers. would be revellers trawl the streets, hoping beyond hope to keep the night alive. cutting through the stifling night air come two words, furor exotica. six tracks spiral down this 12 inch of lurid intent.

following the big success of the tmng001 catalogue, label-head yaya strikes back on his own label with another wicked release. his second ep called ‘unconditional love’ also features the first tamango remixer ever and we’re more than proud to have ‘panorama bar’ lady cassy on board. the ep kicks off the things with entitled ‘unconditional love’ which features yaya’s typical trademark groove with some extra great tribal-drums contaminations combined with a great caribbean-oriented female chant, giving life to a proper dancefloor burner. a2 is about cassy. she has been into the music industry since 2003 when she moved to berlin and she’s fresh of her latest album ‘donna’ on ‘aus music’ last year. she provides a beautiful and heavier interpretation of ‘unconditional love’, adding crisp percussions and pure analogic spatial pad, creating a dreamlike dimension surrounded by the massif utilization of pitched endless vocals. the b-side contains the dub version of ‘unconditional love’ for the ones who need a precise and outspoken tool without the vocal part. closing the ep is ‘lone wolf’ which is the prove to dispel any doubt on yaya’s producing skills: the track immediately approaches into softer sonority with nimble analogic and syncopated synths and rapid drums, with hi-hats and shakers only, for another tamango unmissable chapter.

danish born/stockholm based house producer, anders and serves up his debut release - love on 12inch vinyl. this marks the first physical output for brown fat, a fresh new label out of stockholm. a rich patchwork of influences have made up his exotic sound, along with the artists experience in living and studying in london for 7 years, where he developed a raw style that fuses complex jazz, african drumming and blissed out ambient grooves together into something refreshingly original - it’s no wonder why he is considered to be one to watch in 2017.

chris barker and si murray return to the fold as deep space orchestra on moreaboutmusic and deliver three tracks of quality across this 12” - from the detroit influenced ‘high priest of junta’, and ‘medina’ to the heavy jacking sounds of ‘inherent risk’.

for the 10th release of lowmoneymusiclove family member and.rea is dropping some intelligent acid house on his debut 12”. four dreamy & bleepy technoid tracks in 90’s break sound. but whatever… “less talking more walking” says it all. $ lmml10 $

deleted - with this fifth release, the moonrise hill guardians decided to deliver a vinyl conceived by half of them on the a-side and two friends they decided to invite on the b-side. the first side of the record is the more club oriented one, with two tracks from ethyène & folamour that sums well what made the early moonrise style, between smart soulful sampling to unstoppable groovy beats that will instantly make you burn a dancefloor. the second side starts with one of the two guests of this record, lb aka labat, with a house anthem that gathers all the detroit codes and an undeniable hip-hop influence. toshigi canopy has been asked to end the record, something that he did perfectly well with a more lo-fi track leaving you with a mysterious poetic taste that the moonrise hill guardians have always been defending.

omar has a totally unique, individual style and sound still marks him out as a future thinking and utterly unrivaled artist, who has collaborated with so many legendary names that it would be foolish to deny his worldwide reputation - who would dare contradict the likes of stevie wonder, erykah badu, carleen anderson, angie stone, common and fellow fans and followers like maxwell and jarrod lawson?
following on from 2013’s album the man, 2016 sees his new long player further cement this undeniable reputation. love in beats is omars 8th studio album of his long, illustrious career and may just be the most eclectic & varied to date. somewhat more electronic in it’s conception and sound than it’s predecessor, love in beats incorporates soul, caribbean rhythms, an undercurrent of funk, with touches of zouk, a jazzy waltz, spoken word and also features collaborations with us soul legend leon ware, blue note pianist robert glasper, grime mc ty, guadeloupe born singer jean-michele rotin, and uk soultress natasha watts, the floacist and mayra andrade, the cape verdean born singer who lives and records in paris.
co produced by scratch professer, omars grammy winning brother, this collection should create excitement worldwide, the sounds are varied - but all have omars’ unique fingerprint on them, style and substance beautifully merged!

it’s hard to get a handle on nigerian musicians nash dodoo, charlie cuul and jonas caulley. in 1980 they released an album of face-melting gospel boogie as the bml chapels. and in the same year, calling themselves the beta yama group, they put out free love, a belated love letter to san francisco’s summer of love and an album altogether focused on more worldly concerns. free love is a small slice of haight-ashbury transported to the polygram studios in lagos. ‘te revoir’ is mamas and papas jamming with sergeant pepper’s beatles. ‘free love’ offers a respectful nod towards je t’aime-era serge gainsbourg. sure, ‘revolution’ gets hard and funky and ‘rain’ flirts briefly with a calypso reggae sound, but the majority of the album is cheesecloth and flowers in your hair. insanely rare – and worth buying for the freaky cover art alone – free love is a funky, reverb heavy call for love, peace and sweet, sweet loving. what more could you want from an album?
(peter moore)

a second selection of edits from love creation, this time with a more balearic slant to enchant your dance floor.

nice price deal !!! hess is more album cut would would you like to disco gets the full 12inch remix treatment. alongside the original is kenneth bagers original vocal remix and a dub version, both of which beef up the original for a more intense and dancefloor ready electro interpretation.

thirtyonetwenty - the international dialling code for amsterdam - is the city s hot techno imprint co-founded by sandy huner and dave ellesmere in 2007, now run solely by sandy. for thirtyonetwentys next strike we welcome back nick hollyster & robin orlando!

poverty is violence kicks off 2017 with a 4 track ep written by a soldier of the house / techno scene
limited to 300 hand-stamped white labels

nice price deal !!! based on an old sketch for a track that was lost for 20 years and then suddenly resurfaced on an old dat tape when he moved his studio, latest offering from per martinsen aka mental overdrive takes us into a universe where big pianos and bright sunshine is the order of the day. to make things even more summery and relaxed he teamed up with fellow norwegian disco connoisseur rune lindbaek for a joint remix, and while in the studio they had a swift visit from chanteuse anneli drecker - recently known for her position as front vocalist for röyksopp - who added her soothing voice to the mix to transport you even further into balearic bliss. finally this release also introduces the bright new talent of boska, delivering his more uptempo remix duties to complete this essential package to kick off the summer season.

repress of this sought after classic.